I was in a tram crossing the Branko’s Bridge when my phone buzzed against my palm like a trapped insect. I’d just finished a double shift at a bakery; my thumbs were dusted with flour, and my mind was foggy from the heat. The screen flickered, then resolved into a face I didn’t recognize.
Luka staggered. The camera wobbled. And then, from behind him, a second voice—identical to his own—spoke softly into the microphone: tv kanal 5 vo zivo mobile
The camera panned across a room identical to the photograph. White tiles. Bolted chair. And in the chair, a man. He was emaciated, his eyes closed, his chest rising and falling in slow motion. An IV drip ran from his arm to a machine that looked like a tangled heart-lung apparatus made of old television parts. I was in a tram crossing the Branko’s