Tampa Alissa Nutting Sample May 2026

She doesn’t laugh. They never laugh. That’s the secret of Tampa real estate: no one is buying a home. They are buying a vault to store their grief. A garage to park the memory of the affair they had in 1987. A walk-in closet to hide the bankruptcy papers. I unlock the sliding glass door, and the air inside is the smell of last year’s pork roast and a rug that’s seen a thousand bare feet.

She buys it. They always do. I hand her the keys, and the metal is so hot from the sun it burns a little brand into my palm: a cursive S for sold . Or maybe S for sucker . It’s hard to tell in this light. tampa alissa nutting sample

My newest client, Mrs. Hendricks, has skin the color of a faded Publix coupon and eyes that have been surgically widened into two wet, panicked coins. She wants a house “close to the good hospital” but far from “the changing neighborhoods,” which is code for everything she won’t say aloud. I show her a split-level in Palma Ceia with a pool shaped like a kidney. The water is the color of a melted peppermint patty. She stares at it and whispers, “My husband used to float.” She doesn’t laugh

Tampa, I think. You beautiful, rotting manatee. You sparkler dipped in sewage. You’re the only place where I can be this honest and still get a five-star review on Zillow. This sample mimics Nutting’s use of visceral, grotesque imagery, a deadpan first-person narrator with questionable morals, and a setting (Florida) that acts as a character in itself—sultry, decaying, and absurdly comic. They are buying a vault to store their grief

I think of my own apartment in Ybor City, where the cockroaches wear tiny suits of armor and the upstairs neighbor practices the tuba at 3 AM. “Ma’am,” I say, pulling a Ziploc bag of Goldfish crackers from my purse, “in Florida, the house isn’t the thing that’s haunted. You are the thing that haunts the house.”