Skip to content

Quentin Tarantino Pinocchio Extra Quality Page

According to a secondhand report on Ain’t It Cool News (a now-defunct but then-influential movie gossip site), Tarantino allegedly said: "I’d love to do a hard-R Pinocchio. Where the puppet is a real piece of wood. A real bastard. And Geppetto is a drunk. It would be like a ‘fairy tale noir’ set in Mussolini’s Italy." No primary source of this quote has ever been verified. Tarantino himself has never repeated it in a major, recorded interview. Nevertheless, the internet ran with it. In truth, Tarantino has expressed affection for Pinocchio not as a director, but as a thematic and aesthetic reference point. The most concrete link comes from Kill Bill . In a 2004 interview with The Guardian , Tarantino explained that the character of Gogo Yubari (the schoolgirl assassin) was partly inspired by the "dark side of fairy tales," and he name-checked the 1940 Disney Pinocchio as a film that terrified him as a child — specifically the transformation of boys into donkeys on Pleasure Island. "That scene is more horrific than anything in a slasher movie. It’s about the loss of self. Pinocchio watches his friend become an animal and scream for his mother. That’s body horror before Cronenberg." He has also referenced Pinocchio in terms of narrative structure. In his book Cinema Speculation (2022), he compares the hero’s journey in Taxi Driver to Pinocchio: "Travis Bickle is a wooden man trying to become real through violence."

However, the myth is true in a different sense. It is true to the spirit of Tarantino’s filmography, which constantly plays with the idea of becoming "real" through performance, violence, and suffering. From Butch deciding to save Marsellus Wallace, to Shosanna burning down a Nazi cinema, to Cliff Booth proving his mettle against the Manson family — Tarantino’s characters are all, in a way, wooden puppets striving for authentic existence. quentin tarantino pinocchio

Let’s carve away the fiction and get to the real story. The entire myth can be traced to a single, often-misquoted interview from the early 2000s. During a press junket for Kill Bill: Vol. 1 (2003), Tarantino was asked his usual battery of questions: kung fu movies, Spaghetti Westerns, and what classic property he would like to "Tarantino-fy." According to a secondhand report on Ain’t It