Also, the G2 adds USB-C recording direct to external drives (Samsung T5/T7), which saves you a fortune on CFast 2.0 cards. No camera is perfect. Here is the honest truth about living with the G2.

Having shot everything from run-and-gun documentaries to controlled narrative sets with the G2, I’m here to tell you why this camera still lives rent-free in the minds of indie cinematographers. Pick up the Ursa Mini Pro 4.6K G2, and the first thing you’ll notice is the weight. This is not a gimmick camera. It’s machined magnesium alloy, cold to the touch, and feels indestructible. You won’t be mounting this on a flimsy gimbal without some serious arm day training.

At that price? It is unbeatable.

You cannot buy a camera that outputs 12-bit Blackmagic RAW, 15 stops of dynamic range, and 120fps 4.6K for that price anywhere else. Pair it with a set of Rokinon Cine DS lenses or old Zeiss Contax glass, and you have a cinematic package that rivals cameras costing $15,000.

When Blackmagic Design released the original Ursa Mini Pro, it felt like a turning point. For the first time, you had a "real" cinema camera—with ND filters, interchangeable lens mounts, and pro audio—at a price that didn’t require a second mortgage. But the 4.6K G2? That’s where things got serious .

The included Sony L-series battery mount is basically a placeholder for a V-mount solution. You will get maybe 25-30 minutes of runtime on a standard battery. Buy a V-mount plate and a 98Wh battery immediately. Factor that into your budget.